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ISSUE Nº 14 - Human After All

CURRENT ISSUE

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RAYANE BROWN by Bruna Castanheira

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RITA CARREIRA by Bruna Castanheira

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EMILLY NUNES by Bruna Castanheira

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cover human after all v2

THIAGO MIRANDA by Gui Paganini

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Fashion Film Sangue Latino

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Ella Emhoff makes her runway debut at Proenza Schouler

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Manju Journal’s 20 hot creatives and collectives

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Arts

FKA twigs and Getty Images aim to elevate the visual narrative of Black history with new initiative

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Entertainment

The Trailer for the ‘Mortal Kombat’ Movie is Here

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Gaming

Fortnite Debuts Virtual Film Festival ‘Short Nite’ on the Big Screen in Party Royale

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Tech

SpaceX’s Falcon 9 Fails to Land After Bringing 60 Satellites Into Orbit

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Arts

The documentary charting the proud history of Black American art

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Fashion

ALEXANDER WANG FACES MORE SEXUAL ASSAULT ALLEGATIONS

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Music

Cardi B’s “UP” Is the Highest Debuting Solo Track by a Female Rapper This Century

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Life & Culture

TikTokers are now eligible to join Hollywood’s biggest union

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Everything Coming to Disney+ in March 2021

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Sony Faces Class Action Lawsuit Over PlayStation 5 DualSense Controller Drift

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#OKMag - #SpecialArt - #WhenWeAllFallAsleepWhereDo

#OKMag - #SpecialArt - #WhenWeAllFallAsleepWhereDoWeGo? Designed and edited by Guilherme Lombardi's creative director, it has over 80 pages organized around a four-section manifesto on the future of creativity. Each section frames a series of experiments, art, and photography commissioned by Guilherme.
We started talking about this issue over two years ago, in late 2017. One specific challenge has become instantly interesting to us: always projecting into the future, while any retrospective project is by definition focused on the past. This was the paradox we needed to resolve, which is why we envisioned a project that would subvert the main dynamics of a typical monographic retrospective: We began by thinking of a zine that, unlike other retrospective projects, would not seem like the end of the long process.
But as the beginning of a new one; Instead of focusing on providing answers to unanswered questions, we focus on raising questions that do not yet have an answer; Rather than thinking of a zine that celebrates the past, we think of one that glimpses the future of a community yet to be formed.
This zine is not tied to the past, but wants to use the past as a canvas on which to glimpse a future. There is no reverence for the file. There is a sense of future reorganization of the past as I would like it to be: this idea formed the design. The contents of the archive are divided into chapters by a series of questions that intrigue each of them. We did not impose rules on it.
No consistency in any sense of beauty in any sense of storytelling. Each chapter is a world of its own. The inspirations were different, but definitely a constant idea was to stay true to this lack of rules and always start from a blank canvas. Obviously the idea was to convey a sense of imperfection, it became our language everywhere. Design celebrates and questions the quotes themselves, bringing them to life while challenging their meaning in a visual way.

#OKMag - #SpecialArt - #WhenWeAllFallAsleepWhereDo

#OKMag - #SpecialArt - #WhenWeAllFallAsleepWhereDoWeGo? Designed and edited by Guilherme Lombardi's creative director, it has over 80 pages organized around a four-section manifesto on the future of creativity. Each section frames a series of experiments, art, and photography commissioned by Guilherme.
We started talking about this issue over two years ago, in late 2017. One specific challenge has become instantly interesting to us: always projecting into the future, while any retrospective project is by definition focused on the past. This was the paradox we needed to resolve, which is why we envisioned a project that would subvert the main dynamics of a typical monographic retrospective: We began by thinking of a zine that, unlike other retrospective projects, would not seem like the end of the long process.
But as the beginning of a new one; Instead of focusing on providing answers to unanswered questions, we focus on raising questions that do not yet have an answer; Rather than thinking of a zine that celebrates the past, we think of one that glimpses the future of a community yet to be formed.
This zine is not tied to the past, but wants to use the past as a canvas on which to glimpse a future. There is no reverence for the file. There is a sense of future reorganization of the past as I would like it to be: this idea formed the design. The contents of the archive are divided into chapters by a series of questions that intrigue each of them. We did not impose rules on it.
No consistency in any sense of beauty in any sense of storytelling. Each chapter is a world of its own. The inspirations were different, but definitely a constant idea was to stay true to this lack of rules and always start from a blank canvas. Obviously the idea was to convey a sense of imperfection, it became our language everywhere. Design celebrates and questions the quotes themselves, bringing them to life while challenging their meaning in a visual way.

#OKMag #SpecialArt - #WhenWeAllFallAsleepWhereDoWe

#OKMag #SpecialArt - #WhenWeAllFallAsleepWhereDoWeGo? We started talking about this issue over two years ago, in late 2017. One specific challenge has become instantly interesting to us: always projecting into the future, while any retrospective project is by definition focused on the past. This was the paradox we needed to resolve, which is why we envisioned a project that would subvert the main dynamics of a typical monographic retrospective: We began by thinking of a zine that, unlike other retrospective projects, would not seem like the end of the long process.
But as the beginning of a new one; Instead of focusing on providing answers to unanswered questions, we focus on raising questions that do not yet have an answer; Rather than thinking of a zine that celebrates the past, we think of one that glimpses the future of a community yet to be formed.

#SundayScaries Tag your friends . . . . . . . . .

#SundayScaries
Tag your friends .
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#sunday #scaries #models #lazydunday

Friday night live Tag your friends . . . . . . .

Friday night live
Tag your friends
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#friday #night #fridaynight

OK Mag - TRUTH OR DARE - The Masque Of Anarchy @m

OK Mag - TRUTH OR DARE - The Masque Of Anarchy
@mathplentz (joy model), photographed by @gustavoipolito , fashion edition @adelmo, creative director @guilombardi, beauty artist @casagrandegui, photo assist. @rafaelmonteirofotos, assist. beauty @joao07pedroo, retouch @2labstudio, wears @levisbrasil, @hering_oficial, @crocsbrasil, @joymodel, @fernandasa.ag, @mlages_official

Coco Capitán is a photographer and artist, known

Coco Capitán is a photographer and artist, known for her collaborations with Gucci.
Her work featured as part of Gucci’s “Art Wall” mural project in New York and Milan, creating slogans including “What are we going to do with all this future?” and “Common sense is not that common.” Her distinctive scrawled handwriting was also turned into a capsule collection for the luxury house.
Capitán grew up in Spain, and moved to London aged 17 to study fashion photography at London College of Fashion . After freelancing for independent magazines and building her portfolio through a variety of photographic work, she was accepted into the Royal College of Art for a master’s degree, which she completed in 2016 .

Coinciding with London Fashion Week 2018, Gagosian

Coinciding with London Fashion Week 2018, Gagosian is pleased to present "future history," collaborative works by Takashi Murakami and Virgil Abloh.
Working together in Murakami's Tokyo studio, Murakami and Abloh have produced a unique series of works in which their styles and trademarks intersect in a stream of free-wheeling, punkish mash-ups. The two artists, kindred spirits from opposite axes of a broader cultural zone, reflect incisively on the signs of the times in which we live.
In his protean oeuvre that has captured the imagination of an entire generation, Murakami draws from sources as diverse as traditional Japanese painting, otaku subculture, Western art theory, Hollywood, and hip-hop. His expansive art production spills over into fashion, film, and commercial commodities, exploding the divisions of high art and pop culture

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